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    A diverse group of approximately twelve people celebrate inside a Detroit public transit bus (numbered 2527). Two women are prominently featured in the foreground—one wearing a black and white plaid blazer on the left, the other in a black blazer with glasses on the right—both smiling and gesturing. Additional passengers stand and sit throughout the bus behind them, several wearing blue clothing. Yellow handrails and support poles frame the scene, with red banners visible that read "Believe Your Story." Windows show the street outside, and the interior has blue-gray seating.

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    Hotel Yorba’s Next Chapter Is Still Unwritten — And Detroiters Want a Say

    A long-vacant Detroit YMCA Has New Ownership With a Plan to Restore It

    A diverse group of approximately twelve people celebrate inside a Detroit public transit bus (numbered 2527). Two women are prominently featured in the foreground—one wearing a black and white plaid blazer on the left, the other in a black blazer with glasses on the right—both smiling and gesturing. Additional passengers stand and sit throughout the bus behind them, several wearing blue clothing. Yellow handrails and support poles frame the scene, with red banners visible that read "Believe Your Story." Windows show the street outside, and the interior has blue-gray seating.

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    Four people ride together in a burgundy convertible classic car with white-wall tires, driving through a tree-lined residential street

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    A woman speaks passionately into a microphone at an immigration rights protest, addressing a gathered crowd holding signs with messages about ICE, with bare winter trees and brick buildings visible in the background

    Living in Fear: Immigration enforcement is reshaping Southwest Detroit students and families

    Credit Union ONE Rebuilds in Southwest Detroit

    Three panelists sit on stage during a discussion—a man in a navy blazer on the left, a woman in the center wearing glasses and a pinstriped vest, and a man on the right in dark clothing—with a colorful backdrop featuring vibrant green, turquoise, and purple artwork depicting urban and floral imagery

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  • Featured

    Hotel Yorba’s Next Chapter Is Still Unwritten — And Detroiters Want a Say

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    A family group stands together outdoors in front of a brick building with flowering plants—an adult woman with three children and an infant in a stroller, all smiling at the camera with yellow and reddish flowers blooming in the landscaped area behind them

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    A woman speaks passionately into a microphone at an immigration rights protest, addressing a gathered crowd holding signs with messages about ICE, with bare winter trees and brick buildings visible in the background

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    Aida Cuevas, “The Queen of Mariachi Music” and Grammy® Award Winner, to Perform with the DSO, September 18

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    Peruvian Culture

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    Fridays at The Station x SW Fest

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Remembering Diego Melendez: Singer & Percussionist – The Quiet One!

Ozzie Rivera by Ozzie Rivera
May 1, 2025
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Detroit’s Latino community lost another great musician this past April 18. Diego Melendez passed away peacefully at the age of 72. Born in San Juan, Puerto Rico, on December 30, 1952, Diego grew up in Bayamón, Puerto Rico.  A gifted musician, Diego was best known for his talent and passion as a singer and percussionist. Diego’s life was rich with music, laughter, and a deep devotion to his wife Sonya of 41 years and to his extended family.

I first met him in the late 70’s-early 80’s when he was leading and singing with his Salsa band Orquesta K-Che. I was immediately struck with his smooth vocal approach to the music I so dearly love and would drop by to see the band perform at community dances and the occasional gig at the El Sol Restaurant Club, located by the viaduct near the Train Station. During the 70’s and early 80’s El Sol was considered the “go to” Salsa night club in the metro Detroit area.

Diego Melendez. Photo courtesy of the Melendez family
Diego Melendez. Photo courtesy of the Melendez family

From that point on our paths would cross frequently, which included among other venues Casa de Unidad’s annual Unity in the Community Festivals held at Southwest Detroit’s Clark Park. Often our conversations would lead into discussing Salsa music at the national and international level.  Subject matter always included our perspectives on what was new in that music scene, who were the up-and-coming great singers and musicians among other aspects of that genre.

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It was during this period that I hosted the Salsa/Latin Jazz program Caribe Serenade on WDTR 90.9 so I relished getting his perspectives on our beloved music! Since I also occasionally organized dances and a few festivals I would sometimes contract Diego and Orquesta K-Che for performances. He was a pleasure to work with as he was easy to deal with from a personal and professional level. I was struck by his humbleness and felt at ease with him. He had a peaceful demeanor.

One of my friends and fellow cultural organizers at the time, renowned band leader and percussionist Francisco Mora, had just started a Latin Jazz band group called Amigo In the mid 80’s.  So, I introduced Diego to Franciso and they hit it off right away. Francisco recruited Diego to play percussion and sing with Amigo. For a while Amigo was smoking the Latin Jazz scene.

It so happened that Casa de Unidad, our community’s premier cultural arts organization at the time, organized a Community Appreciation Dinner for the internationally renowned master band leader and timbalero Tito Puente and ask Francisco Mora and Amigo to perform at the dinner.  It was held at Hispanos Unidos Hall, now known as Candela on 25th St. and W. Vernor, on August 21st, 1984. When Tito Puente got up to perform a number of songs with Amigo, attendees went wild. I still run into people who were there that day and they burst into excited discussions about how electrifying the air was in that special and intimate setting of about 100 attendees.

Tito Puente at 1984 Casa de Unidad appreciation dinner with Diego Melendez on bongos and Francisco Mora's Amigo band. Photo courtesy of Ozzie Rivera
Tito Puente at 1984 Casa de Unidad appreciation dinner with Diego Melendez on bongos and Francisco Mora’s Amigo band. Photo courtesy of Ozzie Rivera

Diego would go on to perform with a number of different bands, including a significant period with jazz keyboardist Lyman Woodard, a mainstay at Cobbs Corner and other jazz venues. While performing with Lyman Woodard he met Leonard King another well-known jazz drummer. Diego then recruited Leonard to play with his group, Orquesta K-Che during the late 1980’s. This led to a life-long friendship. Diego in turn would perform with Leonard King in various iterations of his bands. This included Leonard King’s big band and the classic Drummer’s Nite Out ensemble whose personnel were primarily African American and Latin percussionists.

Though in his later years I rarely heard Diego sing, but rather see him perform as a percussionist, I remember him mostly for his smooth voice of those early years.

As I (we) celebrate his life, I remember his love for our Latin Caribbean music and Latin Jazz, his wife and family and the many beautiful recollections. I celebrate him and his life!

Tags: Music
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Ozzie Rivera

Ozzie Rivera

Ozzie Rivera, a retired social worker, is a cultural activist and musician who currently teaches on Afro Latino History and Culture at Wayne State University and social work at the University of Michigan.

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